Miles Davis
Florence Sur Les Champs-Elysees
from the soundtrack album Elevator to the Gallows (Ascenseur pour l’échafaud), 1958
reblog from amare-habeo
The score by Miles Davis has been described by jazz critic Phil Johnson as “the loneliest trumpet sound you will ever hear, and the model for sad-core music ever since. Hear it and weep.”
Ascenseur pour l’échafaud is a 1958 French film directed by Louis Malle. It was released as Elevator to the Gallows in the USA and as Lift to the Scaffold in the UK. It stars Jeanne Moreau and Maurice Ronet as criminal lovers whose perfect crime begins to unravel when Ronet is trapped in an elevator. The film is often associated by critics with the film noir style. According to recent studies, it also introduces very peculiar narrative and editing techniques so that it can be considered a very important experience at the base of the Nouvelle Vague and the so-called New Modern Cinema.
The movie presents also unique and completely new solutions in the history of cinema in the relationship between music and image.
